Introducing one of the Dehancer Colourist Awards partners: Nanlite!
Nanlite is a manufacturer specializing in innovative lighting solutions for photography, videography, and filmmaking. Nanlite offers a wide range of products, including LED lights, softboxes, and accessories designed to meet the needs of both professionals and enthusiasts. Their products are suitable for various applications from studio settings to outdoor shoots.
One of their standout products is the PavoTube II 6C, which further exemplifies their emphasis on portability, versatility, and high-quality lighting performance. Nanlite is committed to providing cutting-edge technology, ensuring users can achieve their creative vision with ease and efficiency.
For more details, visit:
https://www.nanlite.com/#/en
Nanlite is a manufacturer specializing in innovative lighting solutions for photography, videography, and filmmaking. Nanlite offers a wide range of products, including LED lights, softboxes, and accessories designed to meet the needs of both professionals and enthusiasts. Their products are suitable for various applications from studio settings to outdoor shoots.
One of their standout products is the PavoTube II 6C, which further exemplifies their emphasis on portability, versatility, and high-quality lighting performance. Nanlite is committed to providing cutting-edge technology, ensuring users can achieve their creative vision with ease and efficiency.
For more details, visit:
https://www.nanlite.com/#/en
Screen grabs from the "Noah" short film. Color graded by Edgar Reyna
Director: Vanessa Hu
DoP: Shile Yang
Film profile: Kodak Vision3 50D
Print profile: Kodak Endura Glossy Paper
Shot on Sony Venice 1 with Angenieux EZ lens
Director: Vanessa Hu
DoP: Shile Yang
Film profile: Kodak Vision3 50D
Print profile: Kodak Endura Glossy Paper
Shot on Sony Venice 1 with Angenieux EZ lens
Screen grabs from "The Man by the Sea" feature film. Color graded by Marco Leung
Director: Ben Li
DoP: Ting Yang
Film profile: Kodak Vision3 250D
Print profile: Kodak 2383
Effect: Grain
Shot on Arri Alexa Mini
You can watch the trailer for the film here:
https://www.youtube.com/watch?v=31Or7f4g78Y&ab_channel=BenLi%28XiangyuLi%29
Director: Ben Li
DoP: Ting Yang
Film profile: Kodak Vision3 250D
Print profile: Kodak 2383
Effect: Grain
Shot on Arri Alexa Mini
You can watch the trailer for the film here:
https://www.youtube.com/watch?v=31Or7f4g78Y&ab_channel=BenLi%28XiangyuLi%29
Dehancer Film 2.7.1 for Ps, LrC, C1, APh is out!
What’s new:
- Click Me Load More large TIFFs in Lightroom fixed
- Black image on plugin closing fixed
- Profiles Update startup dialog fixed
Download the plugin or buy the License on our website: https://www.dehancer.com/shop/pslr/film
What’s new:
- Click Me Load More large TIFFs in Lightroom fixed
- Black image on plugin closing fixed
- Profiles Update startup dialog fixed
Download the plugin or buy the License on our website: https://www.dehancer.com/shop/pslr/film
Introducing our jury member: Isabelle Barrière!
After studying Art History and Cinema at Sorbonne, Isabelle Barrière spent over 17 years in audiovisual production, starting as a camerawoman, video journalist, and director in the arts. In 2011, she shifted to color grading, and proceeded with opening her own studio in Paris in 2012.
Isabelle now works as a digital colorist across TV, film, and web projects, while also teaching in vocational schools. Since 2020, she has focused on film restoration with Cité de Mémoire (a Parisian post-production laboratory) and has been a member of the Colorist Society International since 2016, serving as an officer for the French chapter.
Isabelle's page: https://www.instagram.com/ipinxit/
After studying Art History and Cinema at Sorbonne, Isabelle Barrière spent over 17 years in audiovisual production, starting as a camerawoman, video journalist, and director in the arts. In 2011, she shifted to color grading, and proceeded with opening her own studio in Paris in 2012.
Isabelle now works as a digital colorist across TV, film, and web projects, while also teaching in vocational schools. Since 2020, she has focused on film restoration with Cité de Mémoire (a Parisian post-production laboratory) and has been a member of the Colorist Society International since 2016, serving as an officer for the French chapter.
Isabelle's page: https://www.instagram.com/ipinxit/