1. B. audience.
2. A. anthology.
3. C. a parable.
5. D. is the written form of drama.
6. B. bathos.
9. B. an octave and a sestet.
14. A hyperbole
15. C satire
16. B. epigram.
19. A. conflict.
20. D rises and fall
2. A. anthology.
3. C. a parable.
5. D. is the written form of drama.
6. B. bathos.
9. B. an octave and a sestet.
14. A hyperbole
15. C satire
16. B. epigram.
19. A. conflict.
20. D rises and fall
Answers to literature objectives 👇👇
1. B. audience.
2. A. anthology.
3. C. a parable.
5. D. is the written form of drama.
6. B. bathos.
7. B. euphemism.
8. B. a denial that Ben is married.
9. B. an octave and a sestet.
10. D. parallelism.
11. B. conceit.
12. D. zeugma.
13. B. mime.
14. C. metaphor.
15. C. satire.
16. B. epigram.
17. A. a concrete poem.
18. C. pun.
19. A. conflict.
20. A. falls, rises.
21. B. a voyage encounter.
22. D. nonchalant.
23. B. disappointment.
24. A. an allusion.
25. A. an anticlimax.
26. A. rowing.
27. A. ten conspiration and hooks prepared.
28. A. birds.
29. B. empathetic.
30. C. transferred epithet and personification.
31. C. Snug.
32. C. play the part extempore.
33. A. Pyramus.
34. A. gives in to Bottom.
35.
36. D. Fack.
37. A. Fairy.
38. B. Hermia.
39. A. Hermia and Lysander.
40. A. a wood.
41. A. Demetrius.
42. The question seems to be incomplete.
43. The question seems to be incomplete.
44. B. woken from a sleep.
45. The question seems to be incomplete.
46. B. Quince.
47. A. Puck.
48. A. Bottom.
49. The question seems to be incomplete.
50. C. is missing.
1. B. audience.
2. A. anthology.
3. C. a parable.
5. D. is the written form of drama.
6. B. bathos.
7. B. euphemism.
8. B. a denial that Ben is married.
9. B. an octave and a sestet.
10. D. parallelism.
11. B. conceit.
12. D. zeugma.
13. B. mime.
14. C. metaphor.
15. C. satire.
16. B. epigram.
17. A. a concrete poem.
18. C. pun.
19. A. conflict.
20. A. falls, rises.
21. B. a voyage encounter.
22. D. nonchalant.
23. B. disappointment.
24. A. an allusion.
25. A. an anticlimax.
26. A. rowing.
27. A. ten conspiration and hooks prepared.
28. A. birds.
29. B. empathetic.
30. C. transferred epithet and personification.
31. C. Snug.
32. C. play the part extempore.
33. A. Pyramus.
34. A. gives in to Bottom.
35.
36. D. Fack.
37. A. Fairy.
38. B. Hermia.
39. A. Hermia and Lysander.
40. A. a wood.
41. A. Demetrius.
42. The question seems to be incomplete.
43. The question seems to be incomplete.
44. B. woken from a sleep.
45. The question seems to be incomplete.
46. B. Quince.
47. A. Puck.
48. A. Bottom.
49. The question seems to be incomplete.
50. C. is missing.
1. Gbanya's actions played a significant role in the downfall of his chiefdom. His betrayal of the chief, coupled with his involvement in corrupt practices and power struggles, created a sense of distrust and instability within the community. This ultimately led to the erosion of the chief's authority and the weakening of the chiefdom as a whole.
3. The use of dramatic irony in "The Lion and the Jewel" by Wole Soyinka adds depth and tension to the story. For example, when Baroka pretends to be feeble and impotent, the audience knows that he is deceiving Sidi, creating a sense of dramatic irony. This technique allows the audience to have insight into the true intentions and motivations of the characters, while the characters themselves remain unaware. It adds suspense and engages the audience in a unique way.
6. Alison and Helena, two key characters in "Look Back in Anger" by John Osborne, can be compared and contrasted in several ways. Both women are involved in complicated relationships with the main character, Jimmy. Alison, Jimmy's wife, represents the traditional and conservative values of the time, while Helena, Alison's friend, embodies a more progressive and independent mindset. Alison is more reserved and submissive, while Helena is outspoken and assertive. Despite their differences, both women play significant roles in challenging and shaping Jimmy's worldview throughout the play.
9. In "The Grieved Lands," the resilience of Africa is portrayed through its ability to overcome adversity and persist in the face of challenges. Despite the hardships and struggles depicted in the novel, Africa and its people demonstrate remarkable strength and determination. The characters in the story embody this resilience, as they navigate through political turmoil, social injustice, and economic hardships. The portrayal of Africa's resilience serves as a testament to the indomitable spirit of its people and their unwavering hope for a better future.
6. (a) Variety in jewellery production refers to the use of different elements, such as shapes, colors, textures, and materials. Three importance of variety in design are:
1. Visual Interest: Variety adds visual interest and keeps the design engaging and captivating.
2. Personalization: It allows for customization and individuality, catering to different tastes and preferences.
3. Versatility: Variety offers versatility, allowing the jewellery to be worn with different outfits and for various occasions.
(b) Balance in jewellery production refers to the distribution of visual weight within a design. Three importance of balance in design are:
1. Aesthetic Harmony: Balance creates a sense of visual harmony and equilibrium in the jewellery piece.
2. Wearability: Well-balanced designs are more comfortable to wear as they distribute weight evenly.
3. Focus and Attention: Balance ensures that no single element overpowers the overall design, allowing each component to be appreciated.
(c) Rhythm in jewellery production refers to the repetition or movement of visual elements. Three importance of rhythm in design are:
1. Cohesion and Unity: Rhythm creates a sense of cohesion and unity within the jewellery piece.
2. Visual Flow: It guides the viewer's eye through the design, creating a sense of movement and dynamism.
3. Emphasis and Impact: Rhythm can be used to emphasize certain elements, adding impact and focal points to the design.
1. Visual Interest: Variety adds visual interest and keeps the design engaging and captivating.
2. Personalization: It allows for customization and individuality, catering to different tastes and preferences.
3. Versatility: Variety offers versatility, allowing the jewellery to be worn with different outfits and for various occasions.
(b) Balance in jewellery production refers to the distribution of visual weight within a design. Three importance of balance in design are:
1. Aesthetic Harmony: Balance creates a sense of visual harmony and equilibrium in the jewellery piece.
2. Wearability: Well-balanced designs are more comfortable to wear as they distribute weight evenly.
3. Focus and Attention: Balance ensures that no single element overpowers the overall design, allowing each component to be appreciated.
(c) Rhythm in jewellery production refers to the repetition or movement of visual elements. Three importance of rhythm in design are:
1. Cohesion and Unity: Rhythm creates a sense of cohesion and unity within the jewellery piece.
2. Visual Flow: It guides the viewer's eye through the design, creating a sense of movement and dynamism.
3. Emphasis and Impact: Rhythm can be used to emphasize certain elements, adding impact and focal points to the design.
3. a. In jewellery production, filing refers to the process of using a file to shape, smooth, or refine metal or other materials.
3b. To file a cut metal sheet, you would use a file to shape and smooth the edges. Start by holding the file at a slight angle and applying gentle pressure as you move it back and forth along the cut edge. This helps to remove any rough or jagged edges and create a clean, smooth finish. Be sure to file in one direction to avoid damaging the metal. Repeat the process until the desired shape and smoothness are achieved. Remember to wear protective gloves and eyewear while filing to ensure safety.
3.c Two ways of cleaning a file in jewellery are:
1. Brushing: Use a wire brush or a brass brush to gently remove any debris or residue from the file's teeth. This helps to prevent the buildup of material that can affect the file's performance.
2. Soaking: Soak the file in a solution of warm water and mild detergent. Use a soft brush or toothbrush to gently scrub the file, removing any dirt or grime. Rinse thoroughly with clean water and allow it to dry completely before using it again.
1. Brushing: Use a wire brush or a brass brush to gently remove any debris or residue from the file's teeth. This helps to prevent the buildup of material that can affect the file's performance.
2. Soaking: Soak the file in a solution of warm water and mild detergent. Use a soft brush or toothbrush to gently scrub the file, removing any dirt or grime. Rinse thoroughly with clean water and allow it to dry completely before using it again.
5. To create a floral pattern on a metal sheet, several processes can be involved:
1. Design: Start by sketching or planning the floral pattern on paper. Decide on the size, shape, and placement of the flowers and leaves.
2. Transfer: Transfer the design onto the metal sheet using a transfer paper or by tracing the pattern directly onto the metal with a scribe or pencil.
3. Cut: Use a jeweler's saw or metal shears to carefully cut out the floral shapes from the metal sheet. Take your time and follow the lines of the design accurately.
4. Filing: After cutting, use a file to smooth and refine the edges of the floral shapes. This step helps to remove any roughness and create clean lines.
5. Texturing: Use various tools like hammers, punches, or texturing hammers to add texture and dimension to the floral shapes. This can involve hammering or stamping the metal to create patterns or indentations.
6. Soldering: If needed, solder the floral shapes onto a base metal or other components of the jewelry piece. This step requires heating the metal and applying solder to join the pieces together.
7. Finishing: After soldering, use files, sandpaper, or polishing tools to refine the surface of the metal, removing any scratches or imperfections. This step helps to achieve a smooth and polished finish.
8. Detailing: Add any additional details or embellishments to the floral pattern, such as engraving, setting gemstones, or adding patina or color.
9. Final Touches: Clean the metal sheet thoroughly to remove any debris or residue from the fabrication process. Polish the metal and inspect the floral pattern for any final adjustments or refinements.
1. Design: Start by sketching or planning the floral pattern on paper. Decide on the size, shape, and placement of the flowers and leaves.
2. Transfer: Transfer the design onto the metal sheet using a transfer paper or by tracing the pattern directly onto the metal with a scribe or pencil.
3. Cut: Use a jeweler's saw or metal shears to carefully cut out the floral shapes from the metal sheet. Take your time and follow the lines of the design accurately.
4. Filing: After cutting, use a file to smooth and refine the edges of the floral shapes. This step helps to remove any roughness and create clean lines.
5. Texturing: Use various tools like hammers, punches, or texturing hammers to add texture and dimension to the floral shapes. This can involve hammering or stamping the metal to create patterns or indentations.
6. Soldering: If needed, solder the floral shapes onto a base metal or other components of the jewelry piece. This step requires heating the metal and applying solder to join the pieces together.
7. Finishing: After soldering, use files, sandpaper, or polishing tools to refine the surface of the metal, removing any scratches or imperfections. This step helps to achieve a smooth and polished finish.
8. Detailing: Add any additional details or embellishments to the floral pattern, such as engraving, setting gemstones, or adding patina or color.
9. Final Touches: Clean the metal sheet thoroughly to remove any debris or residue from the fabrication process. Polish the metal and inspect the floral pattern for any final adjustments or refinements.