Screen grabs from the «Here In The Liminal» short film. Color graded by Lucas Fowler
Director & Writer: Joshua Mangrum
Colorist & DP: Lucas Fowler
Producers: Joshua Mangrum & Seth Amaradasa
Film Profile: Fujicolor Natura 1600
Effects: Bloom, Halation & Grain
Shot on the ALEXA 35 with Schneider Cine Xenar iii and a Hollywood Black Magic 1/8 filter
Director & Writer: Joshua Mangrum
Colorist & DP: Lucas Fowler
Producers: Joshua Mangrum & Seth Amaradasa
Film Profile: Fujicolor Natura 1600
Effects: Bloom, Halation & Grain
Shot on the ALEXA 35 with Schneider Cine Xenar iii and a Hollywood Black Magic 1/8 filter
Dehancer 7.2 Beta for Adobe Premiere/After Effects is out!
- New Overscan parameters: Film Orientation, Lens Zoom, Offset X, Y
- 32 bit color support for After Effects
- Bugfixes and improvements
Beta test is now open for everyone.
You can download the beta here:
https://blog.dehancer.com/beta-testing/dehancer-pro-beta-for-adobe-premiere-pro-after-effects-macos-windows/
- New Overscan parameters: Film Orientation, Lens Zoom, Offset X, Y
- 32 bit color support for After Effects
- Bugfixes and improvements
Beta test is now open for everyone.
You can download the beta here:
https://blog.dehancer.com/beta-testing/dehancer-pro-beta-for-adobe-premiere-pro-after-effects-macos-windows/
Screen grabs from the «Waste Paper — Nate Diaz» music video. Color graded by Aleksandr Tananov
Director: Maria Tananova
Cinematography & Color: Aleksandr Tananov
Film Profile: Agfa Agfacolor Portrait XPS 160
Print Profile: Kodak 2383
Effects: Grain & Halation
Shot on Canon R8 with Schneider Xenon FF Primes and Tiffen Pro-mist, Black Satin and Antique suede filters
Director: Maria Tananova
Cinematography & Color: Aleksandr Tananov
Film Profile: Agfa Agfacolor Portrait XPS 160
Print Profile: Kodak 2383
Effects: Grain & Halation
Shot on Canon R8 with Schneider Xenon FF Primes and Tiffen Pro-mist, Black Satin and Antique suede filters